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At this moment they come to a high bank, and Geoffrey, having helped Mona to mount it, jumps down at the other side, and holds out his arms to assist her to descend. As she reaches the ground, and while his arms are still round her, she says, with a sudden effort, and without lifting her eyes, "There is very good snipe-shooting here at Christmas." The floor itself is pale, nay, almost blue. A little snow is sifted lightly on branch, and grass, and ivied wall. Each object in the sleeping world is quite distinct. "Waked by the circling hours, with rosy hand.

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"What does she mean?" asks he of his brother, who is distinctly amused. "Does she wish poor old Geoff had married a bad one? I confess myself at fault." "When he held the pistol to your forehead, didn't you scream then?" asks Violet. "I give you my honor I didn't. I neither saw nor heard but what I tell you. Why, if I had listened I could fill a volume with their nonsense. Three-quarters of an hour it lasted. How a fellow can take forty-five minutes to say, 'Will you marry me?' passes my comprehension. Whenever I am going to do that sort of thing, which of course," looking at Mona, "will be never now, on account of what you said to me some time since,—but if ever I should be tempted, I shall get it over in twenty seconds precisely: that will even give me time to take her hand and get through the orthodox embrace." Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of.